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I have recaptured the craft of making Ireland's oldest product
the Bodhrán (Bow-Rawn) (a one sided drum) which is made from
Goatskin and treated by a traditional process. This ancient frame
drum is traditionally made with a wooden body and a goat skin head.
Genuine Goatskin is a natural 'live' material, expands and
contracts slightly with changing temperatures, it has an infinite
variety of subtle 'veining' and it's rich lustre becomes more
beautiful with age. Goatskin has unique stretch properties. The
Irish word 'Bodhar' means deaf or haunting. It stirs the spirit
when played with either a "tipper" or beater or sometimes it is
played with the bare hand, hitting the skin in a racing tone.
There are dozens of varieties of beater, differing in length,
weight, shape, and balance. Experiment with them until you find
one that's comfortable. The bodhrán is held with one hand and
played with the other. Many of today's Bodhran's are made with no
crosspiece or with a crosspiece that is removable.
In the hands of a skilled player the Bodhrán can be a subtle and
exciting instrument - striking the skin in a variety of ways,
pressing and moving to vary the intensity of the sound. The side
of the beater is also used to good effect on the wooden rim. Far
too many people pick up the bodhrán with the laudable desire to
join in the music, but without the dedication necessary to learn
to play any instrument properly. If you work at it, you can make
lovely music with a bodhrán. If you just pick it up and hack at it,
you'll be one more person adding to the bad reputation that
plagues Irish traditional percussionists. In Irish traditional
music, the tune is everything. You really can't stress enough that
getting the rhythm is critical. However, unlike rock and a lot of
other styles, the rhythm instruments are not there to create the
rhythm, but to draw it out, to accent and highlight it. The rhythm
itself comes from the tune - how it is structured and phrased -
and how it is played by the melody players alters rhythms greatly.
The bodhrán player should match the beat, and follow the music.
You've got your drum and beater, but you're not ready to play yet.
Playing the bodhrán requires rapid, repetitive motion of your
wrist. Warm up before playing, stretch your hands, arms, and
shoulders before playing for more than a few minutes. Once you're
loosened up, start slowly, give yourself a little time to build
up to full speed.
Don't over-stress your wrist. Try to play with your wrist as
straight as possible; it will reduce the strain. Some people like
the sound of a very loose skin; if you play that way, be aware
that you're working your wrist and arm much harder. You may want
to pace yourself more carefully.
If you hurt, stop. Take a break and do some more stretching
exercises to work out the cramps. Once you have the basic
mechanics, you need to practice. If you want to play with other
musicians, then the most important things to practice are matching
the beat and controlling your volume. A bad drummer can throw off
an entire session; how do you think bodhrán players got their bad
reputation? The bodhrán is an accompaniment instrument in Irish
traditional music, and the traditional method is to follow the
music, i.e. match your rhythm to the those of the music. In order
to follow the music, you need to learn the music; so get hold of
a bunch of recordings and listen carefully. The better you know
the tunes, the better you'll be able to play. Ideally, you should
know the tune: you should be able to hum it or sing it or play it
on a melody instrument.
The Bodhrán plays a leading role in all traditional Irish music.
I individually handcraft each Bodhrán in my hometown of
Ballycastle in the heart of the Glens of Antrim, after adding the
finishing touches they are then sold throughout Europe and the USA.
Many different and varying designs and logos are available to
give that personal touch.
The exact origins of the Bodhran are still unknown. In ancient
Ireland, and in fact up until the 1950's, a skin tray or sieve was
used to sift various materials. This skin tray was called many
names. Interestingly enough, one of those names was Bodhran. There
is in Arabic countries a frame drum called a def or daff, which
taken phonetically in English and translated to Irish could have
become Bodhran. Whichever theory is correct, the Irish frame has
developed into an instrument unique to that country, using playing
techniques found almost nowhere else in the world.
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